{"id":1184,"date":"2016-04-14T09:00:31","date_gmt":"2016-04-14T08:00:31","guid":{"rendered":"http:\/\/dvisuelle.tisseur-de-toile.com\/?p=1184"},"modified":"2018-02-22T09:51:28","modified_gmt":"2018-02-22T08:51:28","slug":"sophie-hanagarth","status":"publish","type":"post","link":"https:\/\/dvisuelle.tisseur-de-toile.com\/?p=1184","title":{"rendered":"Sophie Hanagarth"},"content":{"rendered":"<p><em><img loading=\"lazy\" class=\"alignleft wp-image-2116 size-full\" src=\"http:\/\/dvisuelle.tisseur-de-toile.com\/wp-content\/uploads\/2014\/03\/sophie_hanagarth.jpg\" alt=\"sophie_hanagarth\" width=\"165\" height=\"216\" \/><br \/>\n<\/em><\/p>\n<p>Form\u00e9e \u00e0 la joaillerie et dipl\u00f4m\u00e9e de la Haute \u00c9cole des Arts Appliqu\u00e9s de Gen\u00e8ve en 1995. Sophie Hanagarth cr\u00e9e un r\u00e9pertoire d&rsquo;objets \u00e9quivoques (des parures) o\u00f9 la mise en forme des mat\u00e9riaux et leur relation au corps engendrent un questionnement li\u00e9 \u00e0 la nature du bijou comme attribut. L&rsquo;originalit\u00e9 de sa d\u00e9marche tient \u00e0 son approche \u00e0 la fois charnelle et corrosive qui se d\u00e9ploie \u00e0 travers les savoir-faire sp\u00e9cifiques au m\u00e9tal.<br \/>\nElle re\u00e7oit le prix Herbert-Hoffmann \u00e0 Munich en 2011 et celui de la Fondation van den Bosch 2014 \u00e0 Amsterdam pour l&rsquo;ensemble de son travail. Ses \u0153uvres ont int\u00e9gr\u00e9 les collections du Victoria and Albert Museum de Londres, Museum f\u00fcr Kunst und Gewerbe de Hambourg, Museo Internazionale delle Arti Applicate Oggi de Turin, Museum of Fine Arts de Houston, Mint Museum de Charlotte, CODA Museum d&rsquo;Appeldorn, Schmuckmuseum \u00e0 Pforzheim, MUDAC de Lausanne, Mus\u00e9e des Arts d\u00e9coratifs de Paris et de Montr\u00e9al.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Form\u00e9e \u00e0 la joaillerie et dipl\u00f4m\u00e9e de la Haute \u00c9cole des Arts Appliqu\u00e9s de Gen\u00e8ve en 1995. Sophie Hanagarth cr\u00e9e un r\u00e9pertoire d&rsquo;objets \u00e9quivoques (des parures) o\u00f9 la mise en forme des mat\u00e9riaux et leur relation au corps engendrent un questionnement li\u00e9 \u00e0 la nature du bijou comme attribut. L&rsquo;originalit\u00e9 de sa d\u00e9marche tient \u00e0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2116,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"ngg_post_thumbnail":0},"categories":[96,33],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/dvisuelle.tisseur-de-toile.com\/index.php?rest_route=\/wp\/v2\/posts\/1184"}],"collection":[{"href":"https:\/\/dvisuelle.tisseur-de-toile.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dvisuelle.tisseur-de-toile.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dvisuelle.tisseur-de-toile.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dvisuelle.tisseur-de-toile.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1184"}],"version-history":[{"count":0,"href":"https:\/\/dvisuelle.tisseur-de-toile.com\/index.php?rest_route=\/wp\/v2\/posts\/1184\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dvisuelle.tisseur-de-toile.com\/index.php?rest_route=\/wp\/v2\/media\/2116"}],"wp:attachment":[{"href":"https:\/\/dvisuelle.tisseur-de-toile.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dvisuelle.tisseur-de-toile.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dvisuelle.tisseur-de-toile.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}